Thanks to partner NetGalley and Wednesday Books for the digital ARC of Ashley Schumacher’s In the Orbit of You. The book will be published tomorrow! Ashley Schumacher excels at writing books that tug at my heartstrings, that make me ugly cry. Starting with Amelia Unabridged, which had me full-out sobbing, Schumacher’s YA novels his emotional beats that are authentic and rooted in well-developed, deeply felt characters. Her newest novel, In the Orbit of You, starts with a childhood friendship between Nova Evans and Sam Jordan. They were neighbors, and best friends, reigning over Snailopolis, an imaginary world that served as an escape from ugliness and abuse. Their friendship brings both of them comfort, until Sam is removed from his home, but they promise solemnly to find each other again, when they’re grown up, when they’re 18. Flash forward. Nova is . . . well, she’s 17, and it’s her first day at the umpteenth new school she has entered as she follows her mother’s career from one location to the next. This time, Nova promises herself that she won’t fall into whatever persona seems to make things easiest. Instead, she’s going to figure out who she really is, the identity that fits her best. And then she sees Sam. Nova recognizes him almost right away. He . . . doesn’t recognize her. He’s got a girlfriend, a best friend, amazing parents, a promising future as a football star. But he’s not happy, and Nova quickly sees that unhappiness. And then Sam recognizes her. From there, the book enters a cycle: the promise of reunion, of friendship, and of a new attraction exerts a powerful pull. But Sam has an established life, and Nova knows that they’re moving in just two months, so throwing caution to the wind and entering a state of upheaval and chaos on the off chance that they have something real just doesn’t seem worth it. Or does it? As with all of Schumacher’s books, In the Orbit of You shows a deep understanding of its characters, and I truly loved both Nova and Sam. I did get a little weary of the cyclical nature of their surrender to their feelings and the subsequent denial of them, but the story is still a powerful one, and Schumacher is still an auto-read author for me.
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Thanks to partners NetGalley and Wednesday Books for the digital ARC of Emma Lord’s The Getaway List. The book will be published on Tuesday! The Getaway List is Emma Lord’s fifth YA book—I’ve read all five, and I love every single one. Lord has a knack for creating characters who are flawed and real, dealing with difficult transitions in incredibly imperfect—but understandable—ways, and those qualities are all present in this newest novel. It focuses on an often difficult stage: the time right after graduation, when everything is in transition. On page one, Riley Larson is in the midst of the graduation ceremony, in a unique position: she’s the only person in her high school to have been rejected by all ten colleges to which she applied. And now? She’s not really sure what she’s going to do. Riley’s single mom has the plan that she always has for Riley. She’s going to keep her busy, keep her focused, keep her from wandering. So, Riley should get a job and take community college classes until she has a different, mom-approved plan. But Riley isn’t so sure that’s what she wants. After some mild trouble a few years back, Riley’s mother signed her up for a varied and never-ending array of extracurricular activities, leaving her no time just to be . . . or to be with her best friend, Tom. Tom has been Riley’s best friend since they were kids, when their mothers met at an event for single moms and sort of forced the issue of their friendship. But then, that friendship became deep and sincere, a core relationship for each of them, even after Tom and his mother moved to New York City and that friendship was maintained through phone calls and facetime and texting. Since the move, Riley has not been able to see Tom in person, and now seems like the perfect chance for Riley to go to New York (something she’s always wanted to do) and see her best friend. Her mom is REALLY opposed, but Riley is 18, and she makes the choice—unusual for her—to defy her mother and go anyway. That’s the moment this book really begins. Riley reunites with Tom, who is the same guy she’s always known. Sort of. He’s taller and even more handsome. More important, she realizes, he’s become shy and a bit solitary. Back home, Tom had always been the extroverted, friendly glue that held together a bevy of friend groups, but in New York, he’s a loner. So, Riley extends her quick, weekend trip to a longer stay, determined to set up a web of friendships that will buoy Tom even when she returns home. That decision—the decision to stay—sets up a conflict with Riley’s mom and endless possibilities. Oh, friends, I loved this book so much. I teach seniors, so I see how the pressure to do all the things, all the time, can take its toll on students, who are supposed to know exactly who they want to be and exactly what they’re doing for the rest of their adult lives. It’s a lot. Lord deals with that stress so beautifully with Riley, who has been resentful since her mom’s mission began but now finally has the time to stop and really consider what it has meant for her. Riley loves writing, loves creating, loves being around people and building deep friendships and putting together adventures big and small, but she hasn’t had the time to do any of those things because she’s been so busy doing . . . busy things. Now, she has the strong support of Tom again and the leisure time to realize just how much she missed having leisure time. Of course, there are multiple threads that keep this book moving, including the getaway list of the title, which is the list of adventures that Riley and Tom vowed to take the next time they saw each other. There’s also a fantasy book series that they both love, new friends in New York and old friends who move there, too, and an absolutely lovely friends-to-lovers romance that captured my heart. It’s the self-discovery, though, that resonated most for me, that made me cheer for Riley (and for Tom, and for their other friends who are in the same stage of life). It’s the way her relationship with her mother isn’t dismissed but is instead reshaped and reconsidered now that Riley’s out of school (wow, that story hit hard, since I have a high-school junior at home!). It’s the beautiful portrait of beautiful, flawed people who are just beginning their lives and who are making the inevitable, necessary mistakes that it takes to figure out who they are. I can’t recommend The Getaway List enough. Thanks to partners NetGalley and Delacorte Press for the digital ARC of Kristy Boyce’s Dungeons and Drama. The book will be published on Tuesday! Kristy Boyce’s Dungeons and Drama is a fantastic YA romance, a fake dating story, and a tribute to all things D&D and musical theater. After an ill-conceived (and illegal) trip with her best friend Hoshiko to see Waitress—a trip that involved “borrowing” her mom’s car and driving hours away without a license—Riley is sentenced to a life without extracurriculars, working in her dad’s gaming store every day after school. This punishment is extreme: Riley and her dad haven’t had much of a relationship since her parents’ divorce, she hates gaming, and her extracurriculars are the center of her world. But it’s what she has to do if she wants to be released from her banishment from society in time for the musical, for which she is determined to earn a position as student director. At first, her time at the story confirms all of her fears: she doesn’t understand gaming, the other employee (Nathan) is a jerk, and her relationship with her father is as distant as ever. Her situation begins to change when an awkward run-in with her ex and his new girlfriend leads her to proclaim that she’s also in a relationship . . . with Nathan. What ensues is a quid pro quo with Nathan: he’ll pretend to be her boyfriend to save face with her ex, and she’ll act like she’s head over heels for him as a way to attract his crush, a fellow D&Der who only wants what she can’t have. Soon, those fake feelings begin to feel more real, at least for Riley. I enjoyed so much about Boyce’s world here: she describes the passion of devotees everywhere, finding the commonalities between the worlds of gaming and musical theater as Riley performs her way through a D&D campaign as a bard and Nathan and his friends pitch in to help Riley and Hoshiko save the musical (which the school is trying to cancel). Riley is also working on her relationship with her father, and I appreciated the way each comes to appreciate the other’s passion. As both a big fan of musical theater and the mother of a devoted D&D player, it was fun to see the creativity and passion of both realms represented here. Thanks to partners NetGalley and Wednesday Books for the digital ARC of Jennifer Chen's Artifacts of an Ex. The book is out today! Jennifer Chen’s Artifacts of an Ex is a thoughtful YA romance with a nuanced relationship at its center. Main character Chloe Chang has been dumped via U.S. mail after moving across the country with her family to take care of her ill grandmother. Chloe’s taking out her rage and heartbreak on the box of mementos her ex sent along with the breakup letter when she meets Francesca, who has also recently ended a relationship. As they bond over their stories, Chloe gets an inspiration: a curated art show focused on “Heartifacts,” the artifacts of failed relationships. She puts out a social media request for people willing to share their own symbols of heartbreak. On opening night, Chloe is outraged by Daniel Kwak who is filming his friend’s reaction to one of the pieces, but as Chloe and Daniel talk, they find common ground and a new friendship. Chloe, however, wants more. For Daniel, relationships are perilous ground: he’s been the rebound boyfriend who sends girls back to their exes five times, and he’s not eager to have a sixth such experience. So, Daniel and Chloe vow to keep things friendly, bonding over their art (Daniel is a filmmaker; Chloe sees herself as a curator) and becoming closer as they come to know each other more. As their lives and hearts become more entangled, Chloe has to work through the feelings lingering from her own relationship, and Daniel has to deal with the vulnerability he has to embrace. Artifacts of an Ex is such a thoughtful romance, one that focuses as much on Chloe’s need to understand her own identity as it does on the relationship at its center. Chen’s development of her characters is quite strong, and I thought the consideration of art and its goals for both Chloe and Daniel was an excellent part of the novel. Overall, this was a strong first novel by an author I’ll watch. Thanks to NetGalley and Wednesday Books for the digital ARC of Amanda Quain’s Ghosted, which will be published Tuesday, July 25! Amanda Quain’s Ghosted, a YA retelling of Jane Austen’s Northanger Abbey, far exceeded my expectations. Quain uses her source material creatively but isn’t beholden to it, instead finding an emotional core that (I must admit) I found missing from Austen’s novel. Hattie Tilney attends Northanger Abbey, a ritzy private boarding school her family can afford because her mother, Dr. Tilney, is the headmaster. Despite the fact that her school is notorious for being haunted, Hattie is entirely anti-paranormal, convinced that those who hope to find a ghost are deluding themselves. Then, along comes Kit Morland, a handsome, quirky new student who is decidedly pro-paranormal. Normally, Hattie would avoid Kit completely, but her mother has assigned Hattie to be his ambassador, so she resigns herself to a few tours, some friendly chats, and that’s it. As the layers peel back on Hattie’s story, it becomes clear that this is really a novel about grief and healing. Immediately before her family moved to Northanger Abbey, her beloved father died of a cancer that killed him quickly. Hattie decided that her new school offered a chance at a fresh start, so she rejected the study of history, of hauntings, of ghosts that had so captivated her and her father. She makes new friends, does what she needs to do to be successful and moderately popular, and blends into the background. Until Kit. Kit immediately gets under Hattie’s defenses, and when they’re assigned to work together for their journalism class on a semester-long project focused on the ghosts of Northanger Abbey, Hattie realizes that everything she had suppressed is coming to the surface. Quain crafts brilliant, complex characters. Hattie, whose first-person narration drives the novel, is vivid and empathetic and sad. It’s clear that, while she looks out for her younger brother, Liam, and tolerates her older sister, Freddie, she’s not really connected with her family, particularly her mother, who she most often calls Dr. Tilney. As Hattie works through her college applications (she’s a senior), it becomes clear that she’s also not connected to the college path she’s committed to. Even her friends see only her surface. It’s only Kit who begins to see who Hattie really is and could be. I absolutely loved this novel, which so beautifully delves into both Hattie’s healing but also into the inevitably difficult transitions that all teenagers at this age must undertake and, of course, into the relationship that grows between Hattie and Kit. Watching her again feel her feelings is an incredible journey. Aiden Thomas's Cemetery Boys was one of my favorite books of the year in 2021, so I'm not sure why it took me so long to pick up Lost in the Never Woods, his gorgoous, YA, modern retelling of Peter Pan. Wendy has basically been surviving since she and her brothers disappeared five years before. She returned after a few months, dressed in strange clothing, with no memories of where she'd been, but there's been no sign of her brothers. She and her parents have avoided talking about the tragedy, and Wendy has come to exist in solitude except for her best friend, just waiting for the day they can go to college and escape the absence her brothers have left. Recently, though, kids have started disappearing, and Wendy has to work harder not to think about those missing months. One night, Wendy is on her way home from work and decides to take a short cut through the woods, despite her parents' warnings against them, and she nearly hits a boy who looks just like the face she's been compulsively drawing for months. Thomas's decision to shift this retelling to Wendy's point of view works beautifully, allowing the author to consider grief and recovery as well as the inevitable transition into adulthood. His curation of that original story, the details he included and those he transformed, are just delightful. Thanks to partners NetGalley and Wednesday Books for the digital ARC of Ashley Schumacher’s The Renaissance of Gwen Hathaway. The book will be published on Tuesday, March 14! Ashley Schumacher’s The Renaissance of Gwen Hathaway, her third novel, centers on the story of Madeline Hathaway. Maddy’s life is just a bit unusual: since she was born, she’s traveled with her parents on the Renaissance Faire circuit. She’s never attended in-person school. Instead, her mother homeschooled her for a while, and then she shifted over to online school. As the book opens, Maddy and her father are approaching the one-year mark since her mother’s death from cancer. Maddy has plans for how she’ll honor her loss: they’re returning to her mother’s favorite faire where Maddy plans to document what has changed and what has stayed just as her mother loved it. This is part of her ongoing project to “notice” things by documenting them in her journal, to keep track of everything that happens so that she’ll remember it in case she loses someone else. And she’s going to keep the circle of those who matter to her very, very small. Life doesn’t work out quite the way she planned. The faire has changed. A lot. It was taken over by new owners who have completed a dramatic overhaul, creating a polished—but perhaps less charming—version of what Maddy’s family loved. The plan to not care about people? That comes up against an obstacle, too: the teenaged bard of the faire, Arthur, who also happens to be the new owners’ son and who declares upon first sight that Maddy shall be called “Gwen” and, soon after, that she should be the faire’s princess. Soon Maddy is pulled into Arthur’s plans: she joins his fathers as the princess, despite her concerns that people will criticize her since she doesn’t fit the normal, svelte image of royalty. She also joins Arthur in a series of adventures that he declares will help her “find her Gwen.” I really, really loved this book, which brought me back to the joy I felt after reading Schumacher’s first book, Amelia Unabridged. Maddy’s grief—and the ways that she tries to hold back the onslaught of that grief—is beautifully and empathetically portrayed. Maddy and Arthur are both basically kind and decent human beings who have insecurities and who make mistakes with each other, often as a result of those insecurities. While they’re really the focus of the novel, the secondary characters—their dads, Maddy’s best friend who left the faire circuit, and a few friends from Arthur’s high school—round out the story well. But it’s Maddy and Arthur’s growing friendship and the chances each takes in trusting someone else that warmed my heart. Thanks to partners NetGalley and Wednesday Books for the digital ARC of Emma Lord’s Begin Again. The book is out today! Emma Lord has become one of my go-to YA authors. Her books are sweet but not saccharine, they’re romances but not *just* romances, and they focus on characters whose struggles are authentic and require some real growth. I should say that I still—somehow—haven’t read Tweet Cute, but I’ve adored each of her other books, including this newest one, Begin Again. Andie Rose has clawed her way into a mid-year transfer to Blue Ridge State, her dream school, the college where her parents met . . . and her boyfriend Connor’s school. In a moment of misplaced romance, she decides to make her transfer a surprise. And then she discovers, in a sort of Gift of the Magi twist, that her boyfriend has also made a surprise transfer to Andie’s much-less-prestigious college. Cue chaos and angst. Despite the less-than-fortuitous start, Andie decides that her boyfriend can just transfer back after this current semester, and she resolves to make the best of the situation, as she often does. She and her new roommate, Shay, hit it off, and though she faces some academic challenges, she’s ready to dive into the traditions that her parents and, particularly, her deceased mom told her about. I’m going to pause here to say that I absolutely loved this book. Lord captures Andie’s college experience so well, the promise and peril of seeking a promised fresh start when you know that you’re still just the same person you’ve always been. Andie is an amazing character who is strong and inspiring and always willing to help her friends, yet she’s simultaneously fragile and all too willing to avoid conflict, even if it means sacrificing something that means a lot to her. The development of Andie’s formative relationships is clearly a huge part of Andie’s identity. Lord shows us the grandmas who dropped everything to raise her after her mom’s death, the father who became distant in his grief, Connor who has been her friend since childhood and whose family became a second sort of family for her, and of course the mother she lost who has become such an inspiration—and someone to live up to—for her. Yet Lord balances the ways that her new relationships help to shape who she’s becoming. Those include Shay but also Milo, the RA who quickly becomes a source of support, and Valentina, who starts as her much-needed math tutor but quickly becomes another friend. I’ve barely scratched the surface of this book. There’s so much here that it’s tough to cover it all in a review, but it doesn’t ever feel like there’s too much going on. Instead, Andie’s story feels like the real story of a college freshman who is both building a new life for herself and still working to figure out the life she has. I read this one in as close to one sitting as I could because I just had to know what would happen next. I can’t recommend Emma Lord’s Begin Again enough. Thanks to partners NetGalley and Macmillan USA for the digital ARC of Amber McBride’s We Are All So Good at Smiling. The book will be published on Tuesday, January 10! Amber McBride’s We Are All So Good at Smiling is a sort of allegorical novel in verse that draws from the author’s own experiences with clinical depression. She begins her book with a note to the reader, cautioning about its potential triggers, which I advise all readers to consider. The book is about Whimsy, who has been struggling with clinical depression since she was young, when her older sister—her idol—disappeared. She has been in and out of hospitals and programs since that time, working through her sense that things in her world just are not right. She’s always been a collector of fairy tales, a passion that began with her grandmother, and she often uses them both to understand the world around her and to escape, even briefly. Her situation changes when Faerry joins her program, sharing his own story, which they soon realize holds many parallels and connections to hers. As Whimsy and Faerry get to know each other—his family moves into her neighborhood, and he enrolls at her high school—their mutual understanding begins to make a difference for each. But as they start to uncover the truths that have been hidden from them, they realize that the battle that lies ahead may be more perilous than anything they’ve been through. The key part of the novel takes place in the forest at the end of their neighborhood, which Whimsy has always avoided, fearful of its secrets. When Faerry is lost in the forest, however, Whimsy becomes determined to find him, to save him, and to confront the fears that have plagued her. As in her debut, Me (Moth) (a book that I absolutely loved), McBride’s verse is gorgeous and evocative, and I appreciate her vulnerability in sharing her own experiences, which I have no doubt will be valuable for so many readers. While We Are All So Good at Smiling certainly addresses important issues, it did not quite live up to my expectations: I liked the idea of the allegory more than its execution. Still, We Are All So Good at Smiling is a compelling book dealing with a topic of vital importance to so many people—particularly teenagers. It is powerful both in Whimsy’s own story, in the ways that her relationship with Faerry helps her, and in its consideration of how the teenagers’ families deal with their mental health. I love the consideration of the ways that stories can help both to understand the world and to offer the tools that people need to make a change or confront a difficult truth. I look forward to following McBride’s career. Thanks to partner NetGalley, Salaam Reads, and Simon Teen for the digital ARC of Priyanka Taslim’s The Love Match. The book is out today! After my epic, #readausten22 buddy read in 2022, I’m primed for some amazing retellings of Jane Austen’s books, and Priyanka Taslim’s The Love Match exceeded my expectations. Zahra Kahn is a Bangladeshi American teenager who has just graduated from high school. She lives with her mother and two younger siblings in a small apartment in Paterson, New Jersey, where they try to make ends meet after her father’s death several years before. (This book is billed as a retelling of Pride and Prejudice, but there are some elements of Sense and Sensibility woven in, too!) Zahra was accepted to Columbia University but knows her family can’t afford either the tuition or the loss of her income, so she has deferred her acceptance. Now, she’s trying to figure out what her future might be as she works at the tea shop owned by her friends’ family. Her mother has a firm idea of the right answer: marriage. Specifically, marriage to someone wealthy who can support Zahra. With that goal in mind, she begins matchmaking, resting her eye on Harun Emon, the son of a wealthy—and “new money”—family who might be willing to make a match in exchange for the Zahra’s family’s distant (very distant!) connection to Bangladeshi royalty. The only problem? Harun. Zahra immediately nicknames him the robot because of his apparent lack of interest in her . . . or anything, really. That lack of interest is in strong contrast to the reaction Zahra gets from Nayim Aktar, the new, handsome employee at the tea shop. I loved so much about The Love Match. Zahra is an amazing character: she’s smart, confident, and devoted to her family, even when they frustrate her. Her friendships with Dalia and Daniya Tahir and with Dani’s girlfriend Ximena provide a strong center for her, but they also provide conflict as they other girls make preparations to attend college, emphasizing how out of reach Zahra’s dream is. Watching Zahra grow and change as she comes to understand both how important her family is to her and also how necessary becoming a writer is to her happiness follows the pattern of many coming of age books, yet Taslim offers something new here. Because of the death of her father, Zahra approaches life and her responsibilities with a sense of maturity that many people her age would not feel. I’m typically okay with love triangles, but I think even those opposed might like this one: both Harun and Nayim (once Zahra gets to know them) offer compelling reasons for Zahra to develop an attachment. As Harun and Zahra pretend to date to divert their parents’ attention and matchmaking efforts, their developing friendship becomes another anchor for Zahra. And Nayim’s encouragement of her writing gives her the courage to take some risks related to that goal for herself. Taslim plays with the notes of Austen’s novels—Zahra compares Harun to Mr. Darcy more than once—in a way that pays tribute to her source material without being beholden to it. She incorporates details of Bengladeshi culture, opening the novel with a note to the reader about her choices in writing the story to make it more faithful to her real, Paterson, NJ community. She also weaves details of Zahra’s and her friends’ Muslim heritage into the book, enriching the depth of the story. There’s so much going on in The Love Match, yet it never felt like too much. Whether you’re an Austen fan or not, Priyanka Taslim’s YA novel is well worth putting at the top of your 2023 TBR! |
AuthorI'm Jen Moyers, co-host of the Unabridged Podcast and an English teacher. Archives
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